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Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg
Painting ID:: 6381
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DAVID, Gerard
Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg
1480-85
Oil on panel, 45 x 42,5 cm (each)
Koninklijk Museum voor Schone Kunsten, Antwerp
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Pilate's Dispute with the High Priest fdg
Painting ID:: 6382
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DAVID, Gerard
Pilate's Dispute with the High Priest fdg
1480-85
Oil on panel, 45 x 42,5 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
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The Holy Women and St John at Golgotha dfv
Painting ID:: 6383
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DAVID, Gerard
The Holy Women and St John at Golgotha dfv
1480-85
Oil on panel, 45 x 42,5 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
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The Transfiguration of Christ df
Painting ID:: 6384
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DAVID, Gerard
The Transfiguration of Christ df
1520
Oil on panel
O.L. Vrouwekerk, Bruges
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The Annunciation dg02
Painting ID:: 6385
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DAVID, Gerard
The Annunciation dg02
1506
Panel
Metropolitan Museum of Art, New York
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DAVID, Gerard
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Netherlandish Northern Renaissance Painter, ca.1460-1523
Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, |
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Related Artists::.
| GREGORIUS, Albert | Henri Le Sidaner | Etienne Billet | |
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